<em>Process 18 (Software 3)</em>

Casey Reas
Process 18 (Software 3), 2010
Custom software (color, silent), computer
Dimensions variable, landscape orientation

Courtesy of Victoria and Albert Museum, London

Perpetually elusive moments characterize Reas’ software installations. Process 16 and Process 18 both use line as a primary form. The behavior of line in these pieces is guided by the artist’s instructions. “Using grey scale and static images, the formal attributes of a system are reduced,” says the artist. “Introducing a kinetic field of action or a color representation of the system will present the viewer with higher complexity.”

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