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b. 1967, Cologne, Germany
Lives and works in Cologne, Germany
Portraying an animist worldview, Schülke’s work is characterized by its lively interior consciousness. Revealed through a complex cycle of communication and movement, each object possesses irrational character traits or distinctive emotional features. Using solar panels, infrared surveillance and air propulsion to trigger movement or sound, the immediate surroundings of Schülke’s sculptures become sites of observation and intervention. His ‘creatures’ are suspicious, vulnerable subjects that are awakened by motion sensors as the viewer approaches. Psychically charged, these automated works seem fantastical, inheriting an odd performative humor from Valie Export, one of Schülke’s mentors at the Academy of Media Art, Cologne. Evoking the tools of modern observation and precision, his work suggests artificial intelligence as well as absurdity.
Collected privately throughout Europe, the US and Australia, Schülke’s work has also been acquired by Bank of America, The Progressive Collection, the Borusan Collection at Perili Köşk Museum; 21C Museum and Hotel, Sharjah Art Museum; Sculpture Museum Glaskasten, the Neiman Marcus Collection, Jülich Research Centre and the City of San Jose. Selected exhibitions of Schülke’s work include the Telfair Museum of Arts, Savannah; Museum Villa Rot,
Burgrieden; KulturBahnhof, Kassel; Circulo de Bellas Artes, Madrid; Verbeke Foundation, Stekene; bitforms gallery, New York; Neue Gesellschaft für Bildende Kunst, Berlin and the Biennale of Electronic Arts, Perth.
Fall 2012 Schülke opened “Luftraum”, marking his second solo exhibition in New York. In 2010 he completed “Space Observer”, a permanent 28-foot interactive sculpture for the San Jose international airport.